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Some time ago, during the discussions inevitably caused by the Anne Rice debacle, I said that I would discuss my views on fanfic. I've been thinking about this in bits and pieces since that point, because I have two views about it (generally, I have at least two about almost everything, except perhaps for the upcoming US election, and I will fail to discuss the single view I have because I'm not a US citizen).

My personal view -- and by personal I mean it is a view which pertains only to such things as they affect me -- first. So everything I say for the next few paragraphs is specifically about my work, or responses to my work.

I find it enormously flattering that something about my work speaks strongly enough to some people that they are compelled to write about those elements. I adore my characters -- pretty much all of them -- and I don't, umm, write a lot of sex, and much of the relationship stuff is subtle enough that even my mother missed it. I'm not sure how much room there is in the cracks of the story -- I tend to think that it's the books in which there are obvious wide and undocumented story spaces that lend themselves best to fanfic writing -- but I don't write fanfic, so what do I know? (Yes, I invite comment).

I'm perfectly happy to have other people write fanfic, and I find the fact that some people do want to do this flattering. I don't have any desire to read what they've written, however, and not just for legal reasons (as in, to avoid later being accused of somehow stealing their ideas, which did happen once, and caused a lot of authors who had previously turned a blind eye to turn a legal eye in its place); these characters have an arc and a life that's entirely on the inside of my Byzantine mind, and while I'm happy that they have an effect on other people, I like to keep that effect and my own sense of who they are completely separate. I don't want to have the "but they would never do that" reaction, because obviously -- to the people who did write the story -- the characters would.

This makes me somehow feel that I've been incompetent; that I've failed to write the characters in such a way that they're clear enough that this would be obvious. Which I realize is entirely beside the point. I'm not a good judge in that sense because I'm entirely too close to the characters. So the reading of secondary creation? It's not something I can reasonably do. I'm happy if others can, and if they build a community on that, even in a small way, that's fine with me; I can't be part of it, but I don't hate or decry it.

I have a different reaction to non-written things based on my work.

Someone recently gave me a CD of recorded variants of a song that she'd written; it's based on lyrics in one of my novels, and I adore it. I listen to it sometimes before I write because there's a sense of pride -- if that's quite the right word -- that comes when I realize that this music was inspired by something I created. It's like a gift in ways I can't explain. It would never have happened if I hadn't written these books. I would never have met the person in question, if I hadn't. And it's something I could never have done for myself; I'm not so musically inclined.

Some fan art has also been done, but I've seen only a little of it; someone sent me a "chibi diora", which I'd use as an icon if I had any graphics ability at all (I generally pass on all such task to my son's godfather; I'm willing to keep an network up and running, but I'm not willing to tangle with Adobe software; my bravery foolishness has limits.)

I find the fan art interesting because I'm not a visual person. It takes an enormous amount of work for me to see things as I write them; I have to externalize them, and I tend to write from a very internal perspective. When someone paints or draws their vision of a character, it doesn't clash with mine because I so seldom have a full-blown one; there are details that are important to me, but not so important that they destroy my curiosity or even enjoyment.

So. On a purely personal level, it's all good to me.

My professional view, however, is that my personal take is just that -- personal. I have no particular contempt for, annoyance at, or in fact, opinion on any other writer's views. If Robin Hobb emphatically states that there will be no fanfic about her worlds, that's her right. Actually, I'll take that back -- I do have an opinion (yes, yes, I know, that silence is not the silence of shock or surprise).

I believe that, in the case where the creator of the primary universe has so clearly stated her preferences, they should be respected. If, in theory, the drive to create works aligned with a world comes from the love of the world created, I believe that some deference is owed the creator of said world. Hobb is my example solely because I happened to be going through her web-site FAQ looking for information about her forthcoming novel for the store. There are plenty of other authors who have the same strong attachments to their characters and universes, and who decry the writing of any fiction in those universes, or about those characters, that doesn't originate from them, or through them.

That's their right. In speaking of my own preferences or opinions, I have no intention of stepping on their feet, or somehow lessening the respect I have for the way they exercise their rights. If they find it less then flattering, or even threatening (I realize that the whole copyright question is grey, and different lawyers fall on different sides of the argument), I think they have the right to do what they have to do to be able to sleep at night, as it were.

Comments

matociquala
Oct. 19th, 2004 04:48 pm (UTC)
Succinctly and sharply put, as always, and exactly parallel with my own policy on such things.

You rock. *g*
msagara
Oct. 19th, 2004 08:14 pm (UTC)
Succinctly and sharply put, as always, and exactly parallel with my own policy on such things.

The curse of the on-line people is that they're doomed to repeat what's been said before, and often better <wry g>. I could have just pointed to your earlier comments and said "this".

Having said that, I'm aware that a number of people aren't fans of fanfic. I don't generally read it, so it wasn't until fairly recently that I was aware of just how much fanfic is written; it seems to be a huge movement of its own, and all 'underground'.

I know that in Japan, the equivalent of fanfic is published (the Doujinshi), and I'm wondering how that's done -- if the creator signs away the rights, but is still acknowledged otherwise.
matociquala
Oct. 19th, 2004 08:29 pm (UTC)
I think you did a tidier job than I did, frankly. I don't think I'd ever actually read any fanfiction before about two years ago; the proliferation of people on my reading list who write it means that I have, since (the first fanfiction I ever read was Cassie Clare's Very Secret Diaries, and I was pleasantly surprised by how darn good it was), although I've been exposed to a bit more as chunks of livejournal fandom seem to have adopted me.
prettyarbitrary
Oct. 20th, 2004 09:48 am (UTC)
As I understand it, not all doujinshi are fan fiction. Some are just amateur-published comics with limited print runs. Doujinshi that are fan fiction aren't technically legal, but they're tolerated. For one thing, it makes fans happy, which widens the fan base. For another, they're a good way for publishers to scout new talent.

Sometimes, creators will officially waive the copyright for a few days at a time (say for the week of a major comics convention) so that fans can legally sell and trade doujinshi in that period. Also, a lot of creators started out as doujinshi artists themselves. They sometimes go on record as encouraging fan doujinshi for their work.

Japanese consider doujinshi as similar to our adaptations of Shakespeare's plays. They could prosecute if they wanted to, but they don't see the harm in fans creatively reinterpreting their work. They've still got the original, and that's what people will always come back to. So Japanese are much more likely to crack down on the outright reproduction of 'canon' work, which ticks them off to no end since they're so generous otherwise.
msagara
Oct. 20th, 2004 12:18 pm (UTC)
Japanese consider doujinshi as similar to our adaptations of Shakespeare's plays. They could prosecute if they wanted to, but they don't see the harm in fans creatively reinterpreting their work. They've still got the original, and that's what people will always come back to. So Japanese are much more likely to crack down on the outright reproduction of 'canon' work, which ticks them off to no end since they're so generous otherwise.

I can understand this, both parts. Do you know if something similar to Doujinshi exists for works that are entirely textual?
prettyarbitrary
Oct. 20th, 2004 02:25 pm (UTC)
Japan's novels don't seem to be quite the same animal as ours. Here, you can write a novel on just about anything. In Japan, novels are considered appropriate to certain subjects--mostly historical fiction and (often fictional) biography. Those genres don't inspire much fanfiction (and what does appear takes the form of doujinshi).

I think that part of this is because, in Japan, they've had the novel since the 11th century. It's a well-respected form, with long-established conventions and rules much like our sonnets have, for example. The Japanese have a lot of reverence for their history and culture, and they're inclined to view 'traditional' novels as a piece of literary heritage. On the other hand, novels that step out of those bounds are seen as pop culture, and they're fair game for the usual treatment.

Some of these 'experimental' novels have appeared in Japan in the past couple of decades. One fellow in the 80s wrote a fantasy/horror series about a vampire hunter, which produced a fair amount of fan work even before the anime movie came out (Vampire Hunter D)--again, it all seems to be doujinshi. I guess it's the accepted medium. But then, comics in any form are huge over there. Something like 30% of the annual Japanese publishing profits are from comics.

I suppose it's not exactly the same thing. One of the reasons I seldom write fanfic based on books is because they're the same medium. It feels a bit weird, as if they could 'bleed over' somehow. But since doujinshi are established as a forum for that sort of thing, the threat and awkwardness are probably less. Also, doujinshi are usually limited to a print run of a few thousand at most, so it's not as if they'll forever alter the canon interpretation.

Besides...I dunno, they just seem more like an expression of appreciation than fanfic does. Maybe because you have to invest a LOT of work to script and illustrate a comic for even a small print run, while some fanfic is just slopped together and posted on the Web without even a spellcheck (gaaah!--don't they teach people grammar anymore?!).
alfreda89
Oct. 24th, 2004 10:54 pm (UTC)
Total non-sequiter....
Total non-sequiter....

Hey! That's my Cthulhu! He sits on my monitor!

(We now return you to the interesting discussion about fanfic. I see I need a FAQ page...I've never spelled out my thoughts on this. I don't think anyone is doing fanfic on my stuff, but because of possible legal issues, I've never looked.)
dark_geisha
Oct. 20th, 2004 04:55 pm (UTC)
Well, Japanese copyright laws are a little more dodgy. Most doujinshi artists don't make any profit at all from their creations. It's the people who buy them, then put them up for auction on eBay who makes a killing. I have some Rurouni Kenshin doujinshi, which is why I know. Certain artists and groups go for high amounts of money, especially given the collectible aspect of it. They have "low print-runs," if you can even call them print-runs. The rarer the doujinshi and the more popular the artist, the higher the price goes up.

The thing about doujinshi is that you see a lot of interesting stuff. Like the person above said, it's not all derivative. Some of it is original, but it tends to be rougher around the edges. It's not what gets published in the manga-zasshi. Even then, only the more popular titles from the manga-zasshi get collected into the tankoubon. Add in the filter of domestic licensure and the pool of titles goes down even more. (One of my friends is a junior editor at TOKYOPOP, so it's fascinating to read her lj entries on acquisition meetings. Apparently the editors sit around and flip through manga-zasshi, trying to find titles that look good.)

Some popular artists came from the doujinshi pool -- CLAMP (although that original group of 10 has narrowed down the four we know today) and Kazuya Minekura are two prime examples. In fact, the original concept of Saiyuki was a doujinshi. It attracted so much attention, it was picked up for a trial run.

I do know an instance where some publisher collected doujinshi based upon Saiyuki and printed it in a bound book version. The publisher sold it and made a profit. Minekura sued and won that lawsuit, IIRC. So I think there are limitations to fair usage in derivative doujinshi.