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Writing Process: Two projects

So, I may have mentioned in a prior post that I've been experimenting on the writing front.

Not with style, and not with voice, or viewpoint (when I want to do that, I often dip my toes into shorter pieces), but rather, with part of the process. I've been working steadily, and without break (well, okay, 4 days off, total, since February), on House Name (which I think will possibly have to be changed, as a title, but that's what I call it right now).

But I've also been working on an entirely different project at the same time. It's a novel, and the idea came up when someone asked me if I had a novel of a specific kind available to submit. Which is to say, the idea existed, and I thought it would work in that context. I wrote two chapters, and realized that it was not quite what they were looking for -- but I really wanted to write it, and since I occasionally daydream about writing a book for which there are no deadlines, I kept going.


I started it in April, I think, without much hope that I would manage to get it done, because I had no intention of setting aside House Name to buy the time to do it.

Once, way back in the dawn of time, I did try to write two novels concurrently. This would be before my oldest son was born (but not after, in which writing anything with the shock of New! Baby! was, for me, almost impossible). I couldn't do it. I tried, but I couldn't actually separate the story strands enough that the books didn't blend, and often I would be so much in one novel's headspace, I couldn't shift out of it.

So I assumed, at that time, that I was congenitally incapable of working on two projects simultaneously, and I didn't try again until this April.

Because the second project wasn't on a deadline, I felt free to fail. I also had enough writing time that I wouldn't miss a deadline on anything I have due this year, because the deadline work is work that I owe, and it has to come first.

The two projects are very tonally different books, so there's no overlap, and I don't find they blur at all. One is House Name, and the other is the first strictly contemporary long work I've ever done. The mood and feel of either book is distinct enough that there's really a mental divide in place between them.

What I've discovered so far--and I'm about two weeks off finishing the (much) shorter project--is that those long, hard, brain-dead struggles are not only, in fact, about my writerly state of mind. I can spend six hours squeezing out one thousand words on one book, and then when I switch books, I can write a thousand in an hour. It's more that some words, or rather, some tones, are much harder to penetrate, for me; it takes the six hours to sink, fully, into the right frame of mind for that particular scene. It shifts from book to book, depending on content, and I've come to understand, because I've tried this at all, that it's the content of any given scene, both emotionally and textually, that makes the writing a slog.

I think this has been obvious for a long time to other writers (matociquala comes to mind), but it's been a bit of a revelation for me.

The other thing I've discovered is that dual writing streams are still harder when I'm at the end stretch of a book, because that's the stretch in which the book devours most of my conscious thought, and often, given my dreams, a good portion of my subconscious thought as well. I think it slows down the end of the book, although it doesn't stop it dead.

I might write an end report when I finish, and finish editing, the secondary work, because I might find at that point that I'm wrong.

Comments

( 5 comments — Leave a comment )
miladyinsanity
Jun. 9th, 2008 04:48 am (UTC)
Please do write an end report if you can.

I switch between one at a time and more than one WIP at a time (the latter being the current situation) and if I really have to write more than one WIP at a time, then it'd be nice to be able to do it more efficiently.
domynoe
Jun. 9th, 2008 05:03 am (UTC)
This is one thing I like about my process. As long as the two books are at totally different places (one in revisions, the other in the building stage), I can work on 2 projects at once. This is cool for me because usually the one in the building stage gives me head space from the one I'm revising (which I've seriously needed as I've worked on the voice I want for the Alden novels -- the revisions for book 1 have been brutal in trying to figure out how to reach close to what I want without making myself crazy).

I have, however, set aside all my short story work for the time being. The writing, revising, and submitting of the shorts is not only frustrating, but also cuts into the novel writing time and has been a part of the reason novel #1 is still not done. Granted, it's not a BIG part of the reason, but I'll take every little bit of time not working on and submitting shorts gives me.
kristine_smith
Jun. 9th, 2008 02:13 pm (UTC)
It's more that some words, or rather, some tones, are much harder to penetrate, for me; it takes the six hours to sink, fully, into the right frame of mind for that particular scene.

I've been doing a variation of this in the wip alone by moving between scenes. If I feel lighter, I move up or down the timline and write one scene. When I can deal with fine detail and tension, I move around and write a different one. There's the danger that I am still too much of a linear writer to do a decent job writing out-of-sequence, but I am hoping that my process is changing enough that this mode of operation works out.

Edited at 2008-06-09 02:15 pm (UTC)
renesears
Sep. 24th, 2008 09:08 pm (UTC)
Your posts on writing and publishing are really interesting. I hope you don't mind that I've friended you.
cguthrie00
Mar. 2nd, 2009 12:21 am (UTC)
"Cast" Series
I recently started reading your books, and so far have really liked them. Just wanted to drop a note saying "thanks". :)
( 5 comments — Leave a comment )